Camera Shots
EWS (Extreme Wide Shot): The view is so far from the
subject that it isn't even visible. Often used as an establishing shot.
VWS (Very Wide Shot): The subject is visible (barely), but the emphasis is still on
placing it in its environment.

WS (Wide Shot):
The subject takes up the full frame, or at least as much as comfortably
possible.
AKA: long shot, full shot.
AKA: long shot, full shot.
MS (Mid Shot):
Shows some part of the subject in more detail while still giving an impression
of the whole subject.
MCU (Medium Close Up): Half way between a MS and a CU.
CU (Close Up):
A certain feature or part of the subject takes up the whole frame.
ECU (Extreme Close Up): The ECU gets right in and shows extreme detail.
Cut-In:
Shows some (other) part of the subject in detail.
CA (Cutaway):
A shot of something other than the subject.
Two-Shot:
A shot of two people, framed similarly to a mid-shot.
OSS (Over-the-Shoulder Shot): Looking from behind a person at the subject.
Noddy Shot: Usually refers to a shot of the
interviewer listening and reacting to the subject.
Point-of-View Shot (POV): Shows a view from the subject's perspective.
Weather Shot: The subject is the weather. Can be used
for other purposes, e.g. background for graphics.
Composition
Rule of thirds:
Rule of thirds is a
balancing technique you can apply when you are taking your image. To set it up
you need to find the grid tool in your camera settings and turn it on. You will
then be able to line up your three things. You should line up the main points
of interest or focal point with the lines.
Simple background:
Busy backgrounds can
take a lot of focus away from the focal point. So to emphasize a specific
object or subject take the photograph with a simple background such as a sheet
or a wall. You can also simplify the background by using a shallow depth of
field.
Framing a scene:
Using a frame in a
shot can alter the composition dramatically. It draws attention towards the focal
point and fills unwanted space. It can be achieved simply by framing the
outside or part of the outside of the photograph with natural (such as a cave
or a tree canopy) or man-made objects (such as windows and archways).
Simplicity:
A picture with a dominant
image is likely to have a stronger effect on the viewer. To do this, take a
picture with one or two solitary items. It is an easy and efficient way to make
a point and it will also dictate the path of the viewer’s eyes.
Using lines:
Lines are very
important when taking a photograph because it dictates where the viewer carries
their eyes and helps balance or segment your photo. You can use objects such as
power lines, hedges, fences or rivers.
Contrast:
The most important
thing about your photograph is light and colour. Contrasting tones and shades
create a dramatic impact. If you have a bold colour amongst soft or dull
colours, that object is going to stand out, similar to a spotlight on a stage.
You can also generate interest with contrasting textures (rough/smooth,
shiny/dull, soft/hard) and objects (light/dark, delicate/robust,
predator/prey).
Close ups:
When you take a
photograph with a close up of an object it attracts and holds the viewer’s eye.
It is quite a good way to make an impact or it can make even a common place
object seem remarkable.
Alternative viewpoints:
Taking a photograph
from an unusual place is a good way of making the ordinary look extraordinary.
It shows the viewer an image or setting they may be familiar with and changes
the viewpoint so they could see it from a different perspective.
Angles
Eye-Level: This is the most common view, being the
real-world angle that we are all used to. It shows subjects as we would expect
to see them in real life. It is a fairly neutral shot.
High Angle: A high angle shows the subject from above,
i.e. the camera is angled down towards the subject. This has the effect of
diminishing the subject, making them appear less powerful, less significant or
even submissive.
Low Angle: This shows the subject from below, giving
them the impression of being more powerful or dominant.
Bird's Eye: The scene is shown from directly above. This
is a completely different and somewhat unnatural point of view which can be
used for dramatic effect or for showing a different spatial perspective. In
drama it can be used to show the positions and motions of different characters
and objects, enabling the viewer to see things the characters can't. The
bird's-eye view is also very useful in sports, documentaries, etc.
Slanted: Also known as a Dutch tilt, this is where
the camera is purposely tilted to one side so the horizon is on an angle. This
creates an interesting and dramatic effect.













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